Three Poems

Photo Courtesy | Leslie Yeary

BY LESLIE YEARY

 

Nana

Nana drank tea on wraparound 
porches with Mrs. Rosemary Clooney 
and other Maysville queens. 

I steep my own bag of rosemary, 
lemon sage, and honey in a pink mug 
coarse to the touch with glitter. 

I dance the little bag of herbs around 
the stainless steel interior for a moment and 
I notice my aloneness. I am standing 

in my Ohio kitchen while two tiny 
gentlemen learn numbers from BBC cartoons;
their bodies sprawled on crumbly carpet. 

My back has been aching, and my inability 
to straighten reminds me of Nana. I can hardly 
recall her without a hunchback, however

I am told she was seven inches taller than 
her stooped 5’5” of when I knew her. I knew 
tobacco hung to dry from Papa’s barn,

and wildflowers were margins along 
the winding drive. My dad’s horse was a Star 
by name and mark, and Nana surely

must have been the actual sun in which 
this hidden sliver of My Old Kentucky Home 
revolved: red-brick farmhouse, chimney 

lifting rings of warmth up from a green-shag 
living-room rug, and Nana’s Oaks who had the singular job of shading five granddaughters who never found 

reason to quit running through the summer 
sprinkler. Nana sat sipping tea. Nana, always a Queen. 
She wore her white hair coiffed like a crown 

reminding us of her humble kitchen throne.
Lemon Meringue Pie, Nana’s love language and 
Fried Chicken always tasted of pastry flakes. 

We drank Sweet Iced Tea even on Christmas 
and our presents were wrapped and tied with a bow 
by the ladies at JCPenny. You should have seen 

the eight foot pine where gifts spilled 
like needles over a forested floor. Share. The girls 
can share. My daddy would speak 

through politely gritted teeth 
and throw the gifts against the brick. Nana 
always won. Nana was a boy mom 

like me. Five granddaughters, finally, 
gave her that particular joy akin to the joy 
my boys feel every time the first snow 

waits until February. I couldn’t conceive 
of having a girl. Nana once was, as I am now, six feet. 
A daughter, our height . . . I would have loved her. 

I reach my arms to the back of my taut neck. 
Feel my curvature gradually steepen like the hills 
that drove us home from school. I recall 

the paper wads tossed to the tune of skyscraper, skyscraper! Nana never once sat down. Her tall figure 
rounded over sink and stove, wrapping fingers 

around glasses from the top shelf and I, too, reach 
for a sippy, no tiptoes needed. No extra stool needed, 
I straighten my back and I am my own island. 

Not a porch wrapping mothers like queens, 
no, I am no Nana. No madly famous friends, only 
a handful of other mothers who stand 

reaching, stretching below me and I quietly 
offer my extra height, when needed. Nana never 
called about her falls. She landed, thud, alone. 

Daddy 

got an inkling. 
And Nana wore earrings 
to captivate me.

These Two Trees

Two shade trees stand side by side.
Branches crisscrossing as if holding hands 
to brave the westerly winds 
that tend to crash on our field—
the highest point of these seven hills?
I question my encyclopedia 
of a neighbor who assures me 
our storm damage is always worst. 
And so I plot like a mad scientist how 
to anchor these two brothers, these two 
trees, to gentleness: take notice
of your roots, and please, hold hands 
while crossing streets. 

Boy Mom

Upon swallowing whole
their second bite of supper, 
my two young sons escape 
to the open space between 
deck and tree line and fly. 

And before I can say 
ready or not here I come! 
they have moved on to jumping  
in a forgotten pile of leaves 
and take to it like a couple of giddy puppies 

who crash . . . emerge . . . and zoom back 
for more, except! my boys stop 
after one turn. The wet ground underneath 
is beckoning them to wrestle, 
and so they do. Now grass-stained

and coated with flakes of oregano, 
my occasionally gentle men barrel through the screen
door—already torn clear from its black 
snake of a frame—as they turn my kitchen 
back into a pig’s sty, a barn, a boy-mom’s mud room.

And like all good mothers do, I lose it 
(a little bit) and yell, argh! stay outside! 
Yet I cave to their plea and step 
beyond the threshold. I’ll sit, you play. 
Yet. I offer my two long legs 

to my two growing boys, and we pause 
for a moment. A hug. A cuddle.
A shared present better than Christmas 
and I am learning to not mind the dirt,
learning to treasure even the dirt. 

 

 

LESLIE YEARY is a writer, boy mom, and preschool teacher from Cincinnati, Ohio. A lover of the great outdoors, she draws inspiration from the many adventures she has with her two young sons. In her poetry and prose, Leslie explores the joy that can be found in simple mothering and in taking life gently one day at a time. Leslie is published in Motherscope’s Issue 4: Generations, The Mum Poem Press Anthology, Songs of Love and Strength, and she has self-published her first collaborative poetry collection Dear Sister.

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